Life must be lived as play. ~ Plato
Every once in a while I enjoy looking back at images in the archive. I thought it would be fun to play with Flypaper Textures on some old favorites. I think it’s useful to examine old images from an emotional distance. I often tell students that the best time to edit is at least a month from the time you made the images. Yes, we all have to look at them as soon as possible…but don’t throw them away for at least a month or more. When the emotional energy/heat has faded we can begin to see our images much more objectively. It doesn’t matter how far we had to climb or how long we had to wait or what light we had to battle…the image must stand on its own merit.
That may sound strange coming from me in a post about texturing and layers. After all, it is image manipulation. But here’s the caveat: a bad image will not make a great textured image. Start with a good photograph and then enhance the image in a way that amplifies a concept you are trying to communicate. When I am photographing I am always thinking about communicating what intrigued me, what made me care enough to stop and create images. Then, if the image can be enhanced with textures or layers, then I think about those qualities again. Perhaps I felt a somber mood or a mysterious brooding atmosphere. Maybe I just felt the image was going to be painterly and planned right then to add textures. Its likely that if that was the case, I photographed in order to support that intention.
Here are some old favorites re-invisioned. I’d love to hear your thoughts! Leave a comment if you want to learn more about using textures and layers. Have fun with your images (and CLICK MY BUTTON….over there on the right…for Flypaper Textures)!
- I was captivated by the light and play of shadows in this ceiling. It’s a small building but it felt so expansive.
- The best-preserved Templar building in Europe is the Convento do Christo. This fountain is from the 16th Century Courtyard. The building dates from the 11th Century.
- Moody, quiet, contemplative, eternal. That’s what I saw.
- This stallion had such a noble look about him. I wanted to amplify the ‘old world’ feel.
- Pre-dawn, no possibility of a sharp shot….so, pan and defocus.
- pre-dawn series
- I wanted a timeless feel in a Parisian image. So I waited for the right person to walk into the frame on the right.
- The blue and gold tones complement each other and the eye held my interest.
- I had to sense the yellow leaves and white trunk. The fog was so dense and the sun had not risen. It became my favorite image that year.