Posts Tagged ‘Paul Cezanne


Thinking of layers

“We see things not as they are. We see things as we are.” — Anais Nin

This quote mirrors my thought that “we photograph as we are”.  As I am preparing to depart for a long trip through Eastern Europe, I am thinking about who I am and how that will manifest in my photographs. Because of my long interest in the history of World War II and the resulting human and cultural destruction, I will be visiting a number of areas that were filled with violence and hate.  This energy is the opposite of what I try to photograph.  So who will I be, and what photographs will I make in these locations?  The short answer:  I don’t know.  The deeper thought: I suspect that I will excavate a few layers in my seeing and in my soul.

In preparation for the trip, I’ve been doing some housecleaning of my files.  I came across two images from last fall….images I failed to appreciate at the time so they were marked for deletion. Looking at them now I find that I am enjoying the motion and the layers in the images.  The concept is not new, but I like the way the abstract nature brings forward the structure that underlies the scene.  In the second image I can sense a bit of the style of the brushwork in Cezanne’s series from Mont Sainte Victoire. Recognizing this prompted me to look again at an image of a reflection from later in that same fall. In the reflected image I had immediately recognized the resemblance….why hadn’t I seen it in the earlier images?

My thought is that we see things differently as we grow, age, change, mature….or perhaps, excavate layers.  I’m looking forward to fall as it is my favorite season.  This fall promises to be memorable.  The quote that opened the blog post has especially poignant meaning when viewed through the lens of history, especially the history of human conflict and war. I hope you’ll check the blog for images and the archaeology of my trip.


of painting and photography

A comment from a friend has encouraged me to write about my deep belief in the connection that painting has to my photography.  Though I am not a painter I am a lover and longtime collector of paintings.  Decades before I had any thought of creating a life in photography, I spent long hours with my nose buried in books about the Masters.  First, Monet, then led by a painter friend I discovered Bonnard and Cezanne and I took off from there.  I collected the finest books I could about painters and museum collections.  Then I began to travel to see shows and collections.  During that time I lived on the East Coast and had easy access to the museums in Washington, Philadelphia, and New York.  Eventually I was able to visit the museums and shows in London, Paris, Rome, Amsterdam and Florence.  Keep in mind….there was still no photography in my life. 

What I was doing, without knowing it, was creating a rich visual library; reference points or a catalog in my mind and in my heart of color, line, form, composition, light, shadow, and feeling.  I was developing a very critical eye for discerning the qualities that allowed one painting to rise up over another.  My favorite paintings are now like old friends.  I visit them and am filled with the comfort and renewed spirit that comes from sitting with a dear friend.  It’s my reassurance that there is beauty in the world to be created.  And so I am not surprised, but truly delighted when I “see” a photograph that brings forth the feeling of a favorite painter.  To be able to say to myself  “aha…this is what Kahn might have seen”  or “Oh! This is Wyeth’s palette” is gratifying and illuminating.  This visual heritage, this wealth of knowledge  is available to each of us.   As humans and as photographers, our lives are richer when we avail ourselves of this treasure.

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Flypaper Textures

Flypaper Textures

Trafalgar Square Horse Books
September 2020


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