Posts Tagged ‘trees

01
Jan
10

new images from looking back

For the last couple of years I have made sure that I photograph first thing in the morning on the first day of the new year.  This morning was no exception, but it had a little twist.  I have been driving by this particular scene each day, twice a day, for over a year and today was my day to stop and photograph it.  The delay is due mostly to the fact that it is only accessible from a busy on-ramp in the Washington Park Arboretum.  But today being a holiday, and one that had many people sleeping in, I was able to park off to the side of the ramp and photograph undisturbed for long periods of time.

Tony Sweet, Eddie Soloway, and William Neill (among many) are doing marvelous impressionistic work.  It’s fresh, engaging, and their work is expanding the boundary of our vision, much as the Impressionist painters did in the 1860’s and 1870’s.  It took decades for their revolutionary way of seeing to catch on with the public and then with the art collectors.  Things haven’t changed a great deal.  During a layover in Denver International Airport on Tuesday, I looked up and saw Ernst Haas’ image of a toreador and bull in motion advertising some service or product….to which I paid no attention. But the image stuck. These were some of the first, and still most engaging, images of movement in color and they are from the 1950’s!  Freeman Patterson carried that particular baton a long way with his dedication to impressionistic vision and experimenting with layers of images and other darkroom techniques.  Tony, Bill, and Eddie are standing on his shoulders and reaching new heights and hopefully, new collectors and buyers.

Are my images radically different?  Not at all.  Then why make them, you might ask…..I make them to refine my vision, to teach me to see more deeply and to know what my camera will see when I am using a different technique.  I make them to understand what it is that is pleasing or intriguing about a given image.  In this way I might be able to teach with more clarity or to open a door to further exploration of the subject.  And finally, I make my images to know myself, to stay engaged in the conversation of living.

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are”
Ernst Haas

 

 

05
Nov
09

Grace and creative inspiration

After PorterEphemeral, yet the impression is lasting and grows in strength as time passes; this is how I recall moments of Grace.  The experience of having recognized an extraordinary moment, and then created an image that communicates the essence of what I saw, fills me with the inspiration to continue to seek those moments.   Grace is subtle, fleeting.  We must cultivate awareness in order to be ready when it appears. 

In the fall of 2008, while teaching with my buddy Rick Holt in the Poconos of Eastern Pennsylvania, I created my favorite photograph from that year.  We started at 5 that morning in order to catch the mist and fog if we had a bit of photographer’s luck.  It was still quite dark upon reaching our destination but I knew there were photographs to be made in the coming pre-dawn.  Walking slowly along the lake shore I could see some outlines of slender birches and then I could make out some gleaming yellow leaves.  I walked a bit further, but within 10 minutes I had come back to that spot.  I could feel a photograph calling.  When I returned I noticed there was just enough light to refine the composition and illuminate the mist that was lying densely in the woods behind.   Stillness fell upon the scene, the leaves held their breath, and I made a number of exposures, experimenting with and refining the framing.  The whole episode might have lasted 5 minutes, but the strength of purpose, confidence, and gratitude that I experience from that time has sustained me through the last year.  

I’m anxious to write more about visual literacy and how we, as photographers, can expand our abilities by caring for the vast store of imagery that has been given to us by the Masters of painting, drawing, sculpting, and photography.  Perhaps you’ll tell me about your favorites?




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